Rose quartz cabochons with the top face in a natural crystalline state and a flat polished back for mounting. Available in four sizes, from ø10 × 5 mm to 13 × 11 × 7 mm. The visible surface retains the vitreous luster typical of raw mineral, with natural veins and inclusions; only the back is worked to sit cleanly on a bezel or other silver mounting.
Material Data Sheet
| Mineral |
Rose quartz (pink variety of macrocrystalline quartz) |
| Color |
Pale pink to peach pink. Traces of native titanium, manganese, or iron in the rock are responsible for the tone |
| Top face finish |
Natural — original unpolished crystalline surface |
| Back finish |
Flat semi-polished for direct mounting |
| Hardness |
7 Mohs — suitable for rings and daily wear |
| Origin |
Probable origin Brazil or Madagascar (majority commercial deposits) |
| Treatment |
Untreated. The pink color comes from original mineral impurities in the rock |
| Type of piece |
Available in four formats; each top face has a unique, unrepeatable crystalline texture |
Available Formats
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nr.1 — Round ø10 × 5 mm: the smallest; ideal for discreet rings or minimalist earrings
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nr.2 — Oval 12 × 9 × 4 mm: medium size for small pendants or everyday rings
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nr.3 — Oval 15 × 10 × 5 mm: the most balanced for a main pendant: visible as a protagonist and light enough
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nr.4 — Irregular oval 13 × 11 × 7 mm: the most voluminous; ideal for "raw stone" type pieces in silver or copper
This particular piece: "raw with base" cabochon
It is an intermediate lapidary technique between raw mineral and classic cabochon: only the back is worked to obtain a flat mounting surface, leaving the top face intact. The result retains the natural crystalline texture —with its irregularities, veins, and visible inclusions— while facilitating setting as if it were a standard cabochon. Each top face is distinct because it comes from a different area of the original rock.
What mounting it works for
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Open or closed bezel setting (925 silver or other metals) — the flat back sits directly on the base; the contrast between the polished bezel and the superior crystalline texture is one of the most sought-after visual resources in contemporary jewelry with "raw" stones
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Statement rings with organic aesthetics — the 7 Mohs hardness allows for daily wear without risk; the small formats (nr.1, nr.2) are the most comfortable for rings
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Silver pendants and earrings — the combination of natural texture with worked metal is characteristic of contemporary jewelry with mineralogical inspiration
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Wire wrap — an alternative for those who work with wire wrapping: the surface irregularities offer natural grip points
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Macramé — the compact size and light weight make them suitable for waxed thread pieces without the need for adhesives
Rose quartz in lapidary tradition
Rose quartz is mainly extracted in Brazil, Madagascar, and India. In Ancient Egypt it was used in cosmetics (carved rose quartz masks have been found in Middle Period sites), and in classical Rome it was associated with Venus due to its color, appearing in small amulets and cameos. The "raw with base" form we offer preserves the appearance the mineral had before undergoing lapidary polishing.
The symbolic properties attributed to minerals belong to cultural and historical traditions. They are shared for educational purposes, not as medical advice or a substitute for professional care.
How to recognize genuine rose quartz
Natural rose quartz shows a vitreous luster and partial translucency when the piece is held up to the light, with visible veins, internal fractures, or small milky inclusions. The pink color is usually pale or "dusty," never garish; dyed or synthetic glass pieces tend to a uniform saturated pink without gradients or internal inclusions. Under 10× magnification, the macrocrystalline structure typical of quartz can be seen, distinct from the homogeneous appearance of glass.
Frequently Asked Questions
Why is the surface rough and not shiny?
It is intentional. These cabochons retain the top face in its natural state —without grinding or polishing— to preserve the original crystalline texture. Only the back is worked to facilitate mounting. For cabochons with a mirror-polished surface, see the general cabochon collection.
Does the color last over time?
Rose quartz can lighten with prolonged exposure to intense direct sunlight. With usual wear as a pendant, earring, or ring, there is no problem: ambient light does not cause perceptible discoloration. Storing in a pouch when not in use extends the life of the color.
What size is best for pendants?
Nr.3 (15 × 10 × 5 mm) is the most balanced: visible as a main piece and light enough not to require a reinforced bail. Nr.4 (13 × 11 × 7 mm) has more volume and works well in more voluminous "raw stone" style pieces.
Is it suitable for an everyday ring?
Yes. The 7 Mohs hardness of rose quartz is the same as standard quartz and perfectly withstands daily wear in a bezel setting. Formats nr.1 and nr.2 are the most comfortable for rings due to their moderate size.
Are there other pieces with the same texture?
No. Each cabochon retains the top face as it appears in the original rock, with its own veins, inclusions, and nuances. The dimensions are reproducible within each format; the visible crystalline texture is unique in each piece.
How to care for it?
Clean with a soft cloth lightly dampened with water. Avoid prolonged exposure to intense direct sunlight to preserve the pink color. The 7 Mohs hardness makes quartz scratch-resistant with normal use. More in the jewelry care guide.
More about rose quartz: properties, meaning, and uses. See also: all cabochons · handmade pendants.
