Rose quartz cabochons with the upper face in a natural crystalline state and a polished flat back for mounting. Available in four sizes, from ø10 × 5 mm to 13 × 11 × 7 mm.
Material Data Sheet
| Mineral |
Rose Quartz (pink variety of macrocrystalline quartz) |
| Color |
Pale pink to peach pink. Traces of native titanium, manganese, or iron in the rock are responsible for the hue |
| Top face finish |
Natural — unpolished original crystalline surface |
| Back finish |
Flat semi-polished for direct mounting |
| Hardness |
7 Mohs — suitable for rings and daily wear |
| Origin |
Probable origin Brazil or Madagascar (major commercial deposits) |
| Treatment |
Untreated. The pink color comes from original mineral impurities in the rock |
| Piece type |
Available in four formats; each top face has a unique, unrepeatable crystalline texture |
Available formats
-
nr.1 — Round ø10 × 5 mm: the smallest; ideal for discreet rings or minimalist earrings
-
nr.2 — Oval 12 × 9 × 4 mm: medium size for small pendants or everyday rings
-
nr.3 — Oval 15 × 10 × 5 mm: the most balanced for a main pendant: visible as a protagonist and light enough
-
nr.4 — Irregular oval 13 × 11 × 7 mm: the most voluminous; ideal for "raw stone" type pieces in silver or copper
This specific piece: "raw with base" cabochon
It is a lapidary technique intermediate between rough mineral and classic cabochon: only the back is worked to obtain a flat mounting surface, leaving the upper face intact. The result preserves the natural crystalline texture — with its irregularities, veins, and visible inclusions — while facilitating setting as if it were a standard cabochon. Each top face is distinct because it comes from a different area of the original rock.
What mounting it works for
-
Bezel setting, open or closed (925 silver or other metals) — the flat back sits directly on the base; the.
-
Statement rings with an organic aesthetic — the 7 Mohs hardness allows daily use without risk; the.
-
Pendants and earrings in silver — the combination of natural texture with worked metal is.
-
Wire wrap — an alternative for those who work with wire wrapping: the irregularities of.
-
Macramé — the compact size and light weight make them suitable.
Rose quartz in lapidary tradition
Rose quartz is mainly extracted in Brazil, Madagascar, and India. In ancient Egypt, it was used in cosmetics (carved rose quartz masks have been found in Middle Period sites), and in classical Rome, it was associated with Venus due to its color, appearing in small amulets and cameos. The "raw with base" form we offer preserves the appearance the mineral had before lapidary polishing.
The symbolic properties attributed to minerals belong to cultural and historical traditions. They are shared for educational purposes, not as medical advice or a substitute for professional care.
How to recognize genuine rose quartz
Natural rose quartz shows a vitreous luster and partial translucency when placed against the light, with visible veins, internal fractures, or small milky inclusions. The pink color is usually pale or "dusty," never garish; dyed or synthetic glass pieces tend to a uniform saturated pink without gradients or internal inclusions. Under 10× magnification, the macrocrystalline structure typical of quartz can be appreciated, distinct from the homogeneous appearance of glass.
Frequently asked questions
Why is the surface rough and not shiny?
It is intentional. These cabochons retain the upper face in its natural state — without grinding or polishing — to preserve the original crystalline texture. Only the back is worked to facilitate mounting.
Does the color last over time?
Rose quartz can lighten with prolonged exposure to intense direct sunlight. In normal use as a pendant, earring, or ring, there is no problem: ambient light does not cause discoloration.
Which size is most suitable for pendants?
Nr.3 (15 × 10 × 5 mm) is the most balanced: visible as a main piece and light enough not to require a reinforced bail. Nr.
